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Chapter 1 - Page 62: Words From the Past - by kenisu3000

Chapter 1 - Page 62: Words From the Past




kenisu - #62
One of the most annoying things about trying to make a fleshed-out story of MOTHER: most of the characters don't have a last name. So I have to dance all around these nonexistent names in places where, by all means in real life, the full name would be used. In this case, the title page of George's diary. I wanted the diary to be faded and blotched to begin with (to give it that "antique" look), so I used that to my advantage and ran my thumb over a smudge of graphite, covering the area where George's surname would be. I love these little nuance conveniences.
As for the password, it was only recently, when I went to draw over the sketch, that I finally realized the connection between the two parts of the code: _Where is God's Tail?_ is the prompt, and _Lost on the ship that sails the heavens_ is the answer. The second part isn't clarifying _what_ God's Tail is (my old translations read "The item left behind" instead of "Lost"), it's clarifying _where_ the Tail is.
...Though I still wonder what I was thinking when I chose _lost_ as a "translation" of _wasuremono_. In that case, _left behind_ would still have worked.



Other Submissions by kenisu3000

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kenisu3000 Prologue - Page 9: The Midnight Visitor
kenisu - #09
I had been looking forward to drawing that final panel for a long time, and I'm pleased to say that the tense, insane look on George's face turned out looking more-or-less exactly how I had pictured it in my head.
10/15/06 0.00
kenisu3000 Prologue - Page 10: A Changed Man
kenisu - #10
Hopefully the subtlety here isn't TOO subtle. The blank panel is because I wanted George to deck James in the face when Maria was mentioned, but I didn't want to show it, or insert some goofy sound effect. In the end I decided that it would be best to leave it to the reader's imagination, so I left the panel blank. It also gives it a certain quality which says "you can't even fathom what this punch was like" or that it was kind of an "other-worldly" punch.
10/22/06 0.00
kenisu3000 Prologue - Page 11: In the Guest Room Lies...
kenisu - #11
It wasn't until I gave James the line "Why did you bring the boy?" that I realized I must have unconsciously designed him after James "Jimmy" Stewart (the line reminded me of the movie "Shenandoah", where Stewart refers to his own son as "the boy", when speaking to his wife's grave after a huge mess of tragedy happens to the family - he names off everyone in his family that was killed, and since his son was sent into the Civil War against his will, Stewart's character had not heard anything of him for years, and so he adds to his wife "...and probably the boy..."
10/22/06 0.00
kenisu3000 Prologue - Page 12: Penetrating an Impenetrable Wall
kenisu - #12
I wanted this scene to be extrememly tense. Hopefully I communicated that well.
10/29/06 0.00
kenisu3000 Prologue - Page 13: George in Desperation
kenisu - #13
I love that first panel on the bottom row. George is sitting on the bed staring at his feet like a naughty little boy and Suzannah and James are like his parents scolding him :)
10/29/06 0.00

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